From the scattered hi-hats and driving bass that start the song, to STORRY’s powerful, yet flexible, voice, to the gorgeous keys and triumphant trumpets, the track oozes a feeling of victory. STORRY details her experience of breaking out of an oppressive relationship and finding self-love. The subject matter and instrumentation work in such harmony, the song is such a statement of strength…
Why We Like It
“Talkin to Watashi” is a track packed with colour and charisma – a testament to the performance of each artist. The beat A.G.O. provides is unmistakably inspired by the sun of California, but introduces numerous instruments and effects that gives the music a unique feel. The song’s hook is perfectly written and performed by Jyodan, begging the listener to sing along.
“Husoul” is a song that refuses to sit in the background and be ignored. Substantive, gripping bars cover nearly every second of the track. CyphTwo’s loosely structured but deeply hypnotic flows weave each portion of the song into the following section seamlessly. It’s a lyrical performance that makes you want to restart to the song again immediately after it ends, with each new listen bringing a newfound appreciation for CyphTwo’s pen.
Instead of telling a plain story and letting the instrumental and hook carry him, REMI’s verses are full to the brim with character, infectious delivery and clever turns of phrase. “5 A.M.” is unique and without a dull second.
In today’s age, technology has flooded our lives with content. Caught in the mire are today’s musicians who champion an artform that’s more widely distributed than any other throughout human history. And we, more often than not, overlook the music created by unfamiliar faces because it’s challenging. We’d rather have an easy listen, a known […]
The title track from Freedust’s upcoming sophomore EP, “Talk To Me” continues the trio’s inspired exploration of swing and retro soul. International collaboration – the three Freedusters hail from Italy, Sweden and the UK – and a love of tradition, heritage and antiquity imbue their pop with a distantly familiar flavour.
If you’re wondering what kind of artist BIG NASH is, wonder no more: “Know Thyself (Freestyle)” offers a window into the mind of the New Zealand-based emcee. An eerie, brass-laden instrumental underpins his bars on the grind, nefarious record contracts, the stress of his lifestyle and effects on his own mental health.
An anthem for the hustlers and the grinders, “REPS” is a monument to ambition and perseverance. They’re qualities close to Day’s heart, evidenced by her pivot into full-time emceeing, a vocation she approaches with all the discipline of a regular nine-to-five.
Written, sung, produced, and exceptionally mixed by Kainalu himself, this song is an insanely catchy groove with equally potent head-highs and body-highs. The lyrics and hushed but bright falsetto vocals stick in your head like gorilla glue, and the bass line… Oh that bass line.
Singer-songwriter Vox Sly makes inspired use of jazzy tropes, and the vocals, mired in licks and chimes, are but a piece in his greater musical puzzle. It’s the calmly understated nature of the track – one that all but threatens to disappear at moments throughout, only to rise again with newfound vigour – that endears it so seamlessly.