‘ALETHEIA’S CALLING,’ the debut EP of Franco-Cameroonian artist and philosopher Dirtsa, is a bridge between cultures, ideas and sounds. Pulling from Greek and modern philosophy, the project is a duality of contrasting and complementary R&B and drill sounds. We spoke with Dirtsa about the truths she uncovered in its making.
About Brandon Hill
Why We Like It: Kolo’s “So Far, So Close”
Nigerian-American and Atlanta wordsmith, Kolo, pens an emotional track about keeping his mind on the work. “So Far, So Close” is an expression of having faith in your purpose.
Why We Like It: Leek Mali’s “Summer Forever”
Leek Mali rides the high of a summer of crushing his goals. “Summer Forever” transfers his infectious confidence with a psychedelic beat that exudes timelessness, freezing listener and emcee in the high of success.
Why We Like It: Dirtsa’s “Questions”
French-Cameroonian artist Dirtsa is back with another single. “Questions” is more of the lyricists’ fierce delivery over a winding beat. She questions the ignorance towards ongoing worldwide injustices in a way that implies seeking answers means taking action.
Why We Like It: Jay Wood’s “She Got Me”
The subtleties of strings accompany a player persona as Chicago’s Jay Wood spins an image of braggadocio. But “She Got Me” soon flips the perspective as the emcee and listener soon realize who’s actually pulling the strings.
Kevin Holliday’s ‘OMNI’ is All-Encompassing
Taken from the prefix meaning “of all things,” Kevin Holliday’s ‘OMNI’ is an all-encompassing multi-genre EP that escapes from the serious. Funk grooves and indie-rock strings underpin a croon that positions Holliday as a romantic with a punk facade.
Why We Like It: James the Prophet’s “Tobago” Ft. Chester Watson
James the Prophet and Chester Watson rap about traveling a steadily shrinking world on “Tobago.” Lo-fi textures accompany creeping anxieties spurred by the climate crisis, but the beat’s gentle bob and the emcees’ listing flows lead the track to relaxing waters.
Quiet Contemplation for the Stormy Mind: Hoosh’s ‘everything’s going to be alright’
Sparsely populated with gentle acoustics that wraps even the saddest sentiments in a comforting glow, ‘everything’s going to be alright’ by Hoosh is a melancholy retrospective on the nomadic vocalist and songwriter’s changing conceptualization of home. It’s a tale of aspirations and opportunity costs that ends in a seismic shifting of person.
Why We Like It: The Urban Renewal Project’s “Will to Survive” Ft. Vic Mensa
Blending hip hop with ancient Mediterranean instruments and brimstone bars, The Urban Renewal Project and Vic Mensa face “urban survival syndrome” with a warrior spirit. “Will to Survive” is a triumphant piece of music that energizes action.
Why We Like It: Paris Price’s “Killing Me Slowly” Ft. Chris Patrick & Dende
Love brings life in the flutter of the heart and rush of awareness, but as easily as it gives, it takes. “Killing Me Slowly” by Paris Price bridges romance from life to death with features from Chris Patrick and Dende.
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